I was browsing Pinterest and found a post featuring a Rune Chain crafted for home protection & goals. I thought it was a really innovative way to use runes as decor, especially the combining of runes into multi-meaning symbols (kind of like sigils). I am very interested in how people create tools and objects that ‘hold’ their intent, and this seemed like such a wonderful idea that I had to see if I could make it work for me. I am so pleased with how well it turned out!
In the original post, the author was very thorough in laying out all of her steps, so I won’t cover that again. The part that interested me most was the actual crafting of the runes and how they were combined, so that’s what I am going to focus on in my post.
Here’s a disclaimer that I feel like I should probably make: I am in no way a rune-work expert. Other than a couple of classes I’ve attended on runes, and a couple of craft days where I made sets of runes, that’s about the extent of my knowledge. They’re not a thing that I use terribly often, though I have gone through phases in the past where I’ve been more interested in using and working with them.
That said, I really like them: the having of them and holding and handling of them. I like the way they’re shaped and formed, and find them incredibly visually appealing. I like them for their simplicity and their complexity. On the surface, runes are a fairly straightforward type of tool. They can be used to create words and text, or cast for their divinatory meaning, or used on a daily basis as a meditation focus or ‘wisdom/warning of the day’ type of practice. On a deeper level, runes carry ancient memory and meaning. Using them ties the practitioner to an ancient history, and sometimes that connection is felt more than others. I like divinatory tools with more than one meaning, and runes fit that profile. To some degree, the interpretation of the runes – be it a single drawn rune for the day or a casting – is left up to the practitioner to interpret. Those interpretations vary according to so many factors, and it is that kind of personalization of practice that appeals to me so very much. That’s why this project spoke to me with such a loud voice!
I spent some time looking up the meanings of various runes, and deciding on words, meanings and aspects of their meaning that I liked. As I wrote and doodled, I found runes that worked well together or complimented each other and worked out how I wanted to combine them. Once I had a few that represented the main ideas I wanted to bring to life in the chain, I drew them in the order I planned to arrange them in on a piece of paper. Then I created a word cluster for each of my created symbols, which helped me decide what aspects I wanted to draw on, and how the runes worked together to create a specific or more focused meaning.
To start with, I created a rune symbol that combines ‘Algiz’, ‘Eihwaz’, and ‘Jera’. I really like her concept of ‘binding runes’, but I tweaked her meaning a bit; rather than a rune that reinforced the symbol above it, I chose to create a binding rune that reinforces the entire chain, and is repeated throughout it as a central feature. My binding rune pulls on the parts of the runes used throughout the chain to ensure that the goals expressed in the chain are reasonable, and that the efforts we put into realizing them are matched with the strength to see them through. There’s a protective/defensive element as well; to protect our home and family, both physically and spiritually.
I made my chain with 6 binding runes. I began the chain with it, and ended it with a binding rune, to reinforce the intent and purpose of the chain. The binding rune is also between each rune and the next, to reinforce the strength of will and restate the intent.
The second rune (and the next to the last rune) is the most complex. I am calling this the ‘marriage rune’. It’s another type of binding rune, and holds space both in the beginning and end of the chain. My husband and I celebrated 18 years of marriage (and over 20 of coupledom) the first week of August, and our marriage is the platform from which every other aspect of our home and family are built upon. It is the stable base that serves as the foundation for every aspect our lives. It is the thing without which our family would not exist, and is therefore absolutely central to anything else that will happen in our home. From that perspective, this is perhaps the most important rune form in my chain.
The runes I chose to create this symbol are ‘Ehwaz’, ‘Mannuz’, ‘Dagaz’, ‘Gebo’, ‘Wunjo’, ‘Ingwaz’, and ‘Othala’. Combined in this way, the symbol draws on the individual aspects of each of the runes used to create it to reflect the importance of, strengthen and protect our bond and union as the touchstone of our family, as well as calling on the elements of the individual runes that speak to home life, communication, harmony and joy.
After the binding runes and marriage rune, there are three focused runes, intended to reinforce the values we favor in our home, and what we want for our children, separated (and reinforced) by the binding rune between each of the three focused runes.
The first, I call the ‘prosperity’ rune. It is made up of ‘Fehu’ and ‘Uruz’. There’s an element of good fortune and luck tied to this one, but also the wisdom and vision to make sound investments and financial decisions. There’s a fair amount of self-direction as well, and since independence and leadership are two things I value for my children, I think that makes for a good combination to represent prosperity in both a financial sense and generally-in-life sense.
The second rune, I’m jokingly calling the ‘upward mobility’ symbol, and is made up of ‘Raido’ and ‘Kenaz’. In reality, it would probably better be described as the ‘self-actualization’ rune. Raido is traditionally the ‘travel’ and ‘protection in travel’ rune, which works for my kids’ futures as they’re getting to the age where plans for college and embarking on their own journeys outside of our little nuclear family are imminent. More than that, though, I am calling on the ability to see the right move and make it, and the power that is inborn within them (and in all of us) to shape our own futures into happy and successful ones. I very much want both of my children to find their calling – to find the thing or things that make their souls happy. I want them to find their unique rhythm, and their place within the rhythm of the world, and thrive there.
The third symbol is my ‘strength and endurance’ rune. It’s made up of ‘Pertho’ and ‘Nauthiz’. Pertho calls again on being able to determine your future path, and Nauthiz for self-reliance, strength and endurance. Though I am not ashamed to call on good fortune and blessings, I know that a happy life isn’t just handed to you; it takes work – and often a lot of it. Along your path, there are adversities that help shape you into the person you will become, and help you see yourself more clearly; to become who you are ultimately meant to be. Mental illness runs in my family, and it is with a realistic eye that I recognize that my children may also struggle with mental health issues, however much I hope that they escape them. Strength sometimes means accepting weakness and asking for help; endurance means recognizing when you need to stop or slow down so that you can rest and regroup before continuing on. It is those qualities that I call on in this symbol, for my children and for myself.
Finishing the chain are the marriage rune again, and the last binding rune, to seal the chain and reiterate the intent and purpose of it.
Last week (last night when I started this post) was the Full Moon in Aquarius. I took my oracle cards out, my moon journal, and my rune chain to cleanse and charge it under the light of the full moon, with palo santo and sage to smudge. It was such a pretty night; fresh from rain all day, but a clear sky towards the evening. Afterwards, I hung the chain on the back of our front door, so it’s visible every day as we come and go.
I have been wanting to post this for some time, and am at long last getting around to doing it – yay! I have finally created a Shadow Book that I am happy with. I’ve experimented for years with different combinations of methods for creating and maintaining my Shadow Book, or as more proper pagans than I call it, Book of Shadows (I’ve always called it a ‘shadow book’ and am too old to change that habit now, so deal with it). Here it is, in all it’s unveiled, gigantic glory!
Over the years, I’ve tried various books and journals and binders, only to find that nothing was big enough to house all of the information that I wanted handy. Or, if it was big enough, I’d find or write something that needed to go between two pages that were already written on. I’m also notoriously fickle, so I’d end up wanting to change the way the sections in the book were ordered, which is impossible in a traditionally bound book. So, frustrated, I’d try another method.
Binders worked well for me for a long time. I used two main three-ring binders, and a variety of small notebooks for reflections and journaling. That got tiresome, as everything had its specific book that I had to keep up with. I’m a pretty organized person, but that was too many books to keep up with, even for me. To make matters worse, when I was working, inevitably I’d want something that was in another book or binder, and have to stop, locate the information and then continue. Such disruptions became bothersome, to the point that it was interfering with my practice – why bother if I was constantly under-prepared (and by under-prepared, I mean some bit of information that would flicker to life in remembrance once I got started – not things I should have had prepared before beginning).
But now, I have all of my information – what would traditionally be separated into a Book of Shadows, a Book of Mirrors and a Grimoire, all between two covers. Because of the way this book is maintained, adding new information, or changing the way information is organized is a matter of removing the cover, adding or shifting pages around, and replacing the cover.
I was inspired by some of the more commercial journals that I’ve seen on YouTube, particularly Pagan Scrapbook Supply. I love her books and supplies, but I am definitely not in the market to spend in excess of a hundred dollars for something I was reasonably sure that I could make for myself. And so, I started crafting! I knew that I wanted a post-bound Book. As a formerly avid scrapbooker, post-bound albums have the best flexibility when it comes to making changes; even PSS used the same concept (but with straps instead of posts, and two instead of three). All I really needed was the front and back cover. My first version was made from an old scrapbook that I had. It was the bare-bones, cardboard covers that tied with a string that I found at a dollar-store years ago. I cut the cover down (from 12×12 to a more manageable 8.5×11) and then used a variety of glues, papers and paints to make it look like old leather. I was semi-successful. It worked, but ultimately was a little more ‘rugged’ than I wanted. As a first attempt, it wasn’t bad, but was crooked, and not as solid as I wanted.
The next version, and what I am currently using, involved a pre-made, 8.5×11 post-bound scrapbook frame that I found at the craft store (similar to this one, with extension posts and multi-size posts). With a coupon, it was $10. I’d have done this straight away had I known that there was a commercially produced 8.5×11 size album available. All of my Books before have been printer-sized; I didn’t want to change to a larger page (or a smaller one). This album was exactly what I was looking for.
Initially, I had each page punched and inserted, but like the books in the video above, found that for maximum visibility, they needed to be mounted. So I used old file folders to create a bracket for the pages to stick to. Rather than have each page on a separate bracket, some brackets hold several pages (mounted to the fronts and backs) so that I have sections of related information where necessary. I’ve also found that plastic page protectors work in a pinch, but I dislike the look (and feel) of the plastic in my book. I do have some pages (herb info, mostly) that are currently in plastic page protectors, but will remove them eventually and mount them properly.
To create the page mounting strips, I traced a plastic page protector that could hold an 8.5×11 sheet of printer paper, and traced the area where the holes are, then cut it out and replicated it (dozens of times!!). It was time-consuming, yes, but the result was exactly what I wanted. Then I coffee-stained (like tea-staining, but with coffee – smells *amazing*) the 500+ pages that I’ve collected in my various binders over the years, mounted them and added them to the book.
What I ended up with is an amazing (if slightly bulky), useful tool that houses everything I need, from basic information, to more personal reflections, correspondences, recipes, spells and relevant material all in one place. Another feature that looks odd now, but becomes less so as time goes on (and more is added), is that there is ample room for embellishments and additions to the pages. I am an avid ‘art journal-er’, and my Shadow Book is eventually going to end up with the same treatment as my art journals – as a platform for my art. In this particular case, I still need my Shadow Book pages to be legible, but adding embellishments that add to the look, feel and general attractiveness of the book is part of nurturing my spirituality that I have been neglecting lately, and I am eager to get back into the process.
Though I tend to keep the pages of my Shadow Book private (you probably won’t see me doing a flip-through on YouTube), I don’t mind answering questions about the contents, so if you have a question, please feel free to ask in the comments. As I said though, I’ve combined the elements traditionally separated into the Book of Mirrors (personal reflections; a diary of one’s path), a Book of Shadows (practices; Sabbat and Esbat Rites; history, etc.) and a Grimoire (spells, recipes, etc.). I also keep blank pages in the center of the book so that when I wish to add notes, I can write in the book itself, and then move the pages to the appropriate section later on. This keeps all of my notes and things in one place, which I find helpful (and space-saving).
The last touch, which will probably be a while in coming, will be to create the spine cover. I need to get black posterboard (or regular posterboard and cover it with fabric) to make the spine look neater; it’s not required, but it will lend a more finished look to my Book. If you’ve made your own Shadow Book, I’d love to see it! If not, I hope you’re inspired to create one of your own. It’s something I’ve found to be very rewarding. Happy crafting!
This cycle is the sixth; I am amazed that it’s already my shift again. After my last shift, I wanted to make a devotional candle to burn during my shift – one that was specifically for Brighid. This is what I ended up with – I love how it turned out!
I used a white glass 7-day candle that I found at the dollar store, some craft necklace chain, wire and beads from my jewelry-making supplies. Then I found a picture of Brighid that I liked, and printed it, then ran it through a sticker-maker so that I could attach it to the candle.
This particular candle is one that came without any pre-printed decoration. The glass was clear, so I only had to remove the price sticker and clean the glass before putting the sticker on. I also created a sticker for the back with the history of Cill Willow and my upcoming shift dates. Upon reflection, I should have checked my dates more carefully; I made a mistake in the counting of days and was off, so I had to fix the dates. I’m going to end up re-printing the back sticker.
For this shift, I started the day off in a sour mood. I woke up late, my phone was acting up (I could hear people, but they couldn’t hear me), my modem was acting up (randomly turning itself off and refusing to re-load correctly), the kids were acting obnoxious – it just wasn’t a good day. As the evening crept closer though, things started to get better – in tiny, almost immeasurable increments, but they did start getting better.
My dad called and invited us all to dinner and the boys to watch the football game, so that eliminated the need to cook dinner. I also got to spend some time with my dad, which was nice. Then I left the kids at his house for a while and went back home. I had a couple of hours to myself; I got out my jewelry-making supplies and played with my beads for a bit while listening to the ever-soothing Lord of the Rings soundtrack. I’m a huge geek, and LotR just pushes all of my buttons, so that was utterly enjoyable!
The the men-folk came back home, so I retired to my bedroom to re-decorate my altar for Samhain (it was still decorated for Lughnasadh – I seem to have skipped Mabon altogether, which is unusual for me, but I just wasn’t feeling it). I lit some amber/sandalwood incense that I found at The Witchery in Galveston (that stuff has become my new favorite incense – I burn it all the time!) and just took my time cleaning my altar and putting the old decorations away. I cleared off some of the things I’ve been keeping on it for a while, and pulled out some things that I haven’t used in a long time; it’s nice to see those things again. I used a purple silk altar cloth and brand new purple candles, which is different; I usually use more neutral colored candles. I also cleaned out my ‘magic trunk’ and organized my herb jars under my altar in neat rows. I’m really happy with how it looks, and am breathing easier now that my trunk is all clean and organized. There’s definitely truth to the old saying about physical clutter being linked to mental clutter.
At bedtime, I put the flame out (my LED candle needs batteries), and re-lit it this morning for a few minutes before I extinguished it so that the kids and I could meet up with some friends. When we got back home this afternoon, I re-lit my flame and went to take a nap before we had to leave again, and had the flame next to my bed. I fell alseep quickly, and dreamed, but can’t remember what about now; something about my sister and I in an SUV going somewhere, I think.
This shift was odd in a way; while I was focused on making a connection, I didn’t feel particularly connected to Brighid. I feel like her influence was there, as both the inspirer of creative pursuits was there, as well as her role as a Goddess of the Hearth, but I didn’t feel like She was as attuned as I have in the past. Not that I expect her to be all in my face or anything, but I feel more like I was reaching out more and in the past She was reaching for me.
In any case, it was a lovely shift. It was just the thing I needed after a very chaotic day yesterday, and a busy day today.